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A nativity scene may be used to describe any depiction of the Nativity of Jesus in art, but in the sense covered here, also called a crib or manger in the UK and crèche in France (meaning "crib" or "manger" in French), it means a three-dimensional commercial or folk art depiction of the birth or birthplace of Jesus, either sculpted or using two-dimensional (cut-out) figures arranged in a three-dimensional setting.
   Christian nativity scenes, in two dimensions (drawings, paintings, icons, etc.) or three (sculpture or other three-dimensional crafts), usually show Jesus in a manger, Joseph and Mary in a barn (or cave) intended to accommodate farm animals. A donkey and an ox accompany them; besides the necessity of animals for a manger, this is an allusion to Isaiah: "the ox knoweth his owner, and the ass his master's crib; but Israel doth not know, my people doth not consider" (Is. 1:3). The ox and donkey represent the people of Israel and the Gentiles respectively in such depicitions. The scene sometimes includes the Magi or Three Wise Men (with or without a camel), shepherds and sheep, angels, and the Star of Bethlehem. The traditional scenes that show the shepherds and Magi together combine two different events in the Gospels: (1) the shepherds are informed by angels that "for to you is born this day in the city of David, a Savior who is Christ the Lord" (Matthew 2:10-11). (2) "When [theMagi] saw the star, they rejoiced exceedingly with great joy; and going into the house they saw the child with Mary his mother, and they fell down and worshipped him" (Luke 2:11)
   At Christmas time these arrangements are created and displayed in Catholic and Protestant homes, churches and parks. For the Christmas season, two nativity scenes are put on display at the Vatican. The first is put inside the Vatican Basilica. The second, placed in the Piazza San Pietro before the Christmas Tree, was made by Saint Vincent Pallotti.
   Many churches and individuals leave the manager empty (without the baby Jesus) until Christmas Day to reflect that Jesus hasn't yet been born before then.

St. Francis and the origin of the Nativity scene

After his return to Italy from a voyage to Egypt and Acre in 1220, St Francis of Assisi introduced three-dimensional nativity scenes. Some accounts state he used statues or costumed people, but Thomas of Celano, the biographer of Francis tells how he only used a straw-filled manger (feeding trough) set between a real ox and donkey. According to Thomas, it was beautiful in its simplicity with the manger acting as the altar for the Christmas Mass. Francis's first biographer, Brother Tommaso da Celano, says that Francis was merely emulating what he'd seen elsewhere in previous years when, in 1223, he asked his friend Giovanni Velita, a nobleman from the nearby town of Greccio, to construct a nativity scene, consisting of the straw-filled manger, ox and donkey, in a cave near the town of Greccio, for a Christmas Eve mass at which Francis preached.
   In 1562 the Jesuits put up a crib in Prague which is considered the first crib of the modern kind.

Different traditions

The tradition was brought into Spain from Naples during the reign of Charles III of Spain.
   In Provence, in the South of France, nativity scenes are sometimes composed of hundreds of small painted clay figurines, called santons, representing all the traditional trades and professions of old Provence. Because of their cultural value the santons are often collected as art or craft objects, regardless of their possible use in a nativity scene.
    In Mexico and in certain parts of Central America, it's traditional to build the nativity scene on December 16, the day of the first Posada. In Colombia the Christmas decorations, including but not limited to the pesebre and the Christmas tree, are put in place on December 8, a holiday know as dia de las velitas (candle's day). Traditionally, the scene is completed as time goes by. Baby Jesus isn't added until December 24, and in the following days the shepherd is placed. The Three Wise Men are not included in the nativity scene until January 6, Three King's Day. The nativity scene is traditionally not taken down until February 2, Candlemas, which marks the end of the Epiphany season. In Latin America, it may be taken down near January 15, when the holiday season is over and schools, colleges, and companies are preparing to reopen.
   In some places in Spain, such as Parets del Vallès, monumental indoor nativity scenes are built. They can be as big as 280 m², using more than 12,000 kg of sand, 3,000 kg of stones, 1,500 kg of cork, and more than 800 figures. Light effects, water streams, rain, music, and automatons are used to give a realistic touch to the scene.
   In Catalonia and the Basque Country, hiding in the background of the nativity scene is the caganer (Catalan "crapper"), a figure of a defecating man. There is no attempt at incorporating the figure into the narrative of the nativity; he's apparently a reflection of Catalan irreverence and scatological humour. Large public cribs often have a caricature of a disliked public figure as the caganer.
   In the town hall of The Hague there's a yearly tradition to erect a life-size nativity scene with living and breathing animals and humans: namely donkeys, oxes and camels borrowed from a nearby zoo and as a stand in for the kings and shepherds.

Names in other languages

In Italy it's known as presepe or presepio; in Portuguese it's known as presépio, in Catalan as pessebre, in Spanish the name goes between El Belén (for Bethlehem, where Jesus was born) and also Nacimiento, Portal or Pesebre. In Poland is was known as szopka, from Polish for "small crib", in Croatian language jaslice and in Belarus as batleyka, from Bethlehem. In Russian and Ukrainian culture there was a type of portable Christmas puppet theatre called vertep.In the Philippines, it's called a Belen (due to Spanish Influence).

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